In 17th-century France, the Queen brings the Three Musketeers — Athos, Porthos, Aramis, and an aging d'Artagnan — back from retirement for one last job: saving her son Louis and the whole kingdom.

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

A young girl learns that she is the daughter of an executed politician and conspires to avenge her father's memory.

It's Samhain (Hallowe'en) in old Ireland, and King Connor is haunted by his life, his legacy, and the enemies he killed in his time. Based on the famous Ulster Cycle.

'Romance set around the famous air race in which a girl helps a nervous pilot to victory.' (British Film Institute)

'1765. Judge sentences highwayman to die, then finds he is his son.' (British Film Catalogue)

Handsome British officer, Lt. Brian Fleming is sent undercover to infiltrate a lively band of pirates.

A princess falls in love with her father's swordsman.

An assassin's daughter learns she is the King's bastard and dies to save his life. Based on the novel "Une fille de regent" by Alexandre Dumas père.

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